14 is a dance marathon initiated by Taiwanese choreographer Chen Wu-kang and video director Sun Rui-hong, presented via real-time video streaming that transcends time zones and geographical boundaries. 19 independent artists from Indonesia, Italy, Taiwan, Thailand, and Singapore each created a 14-minute solo performance in response to their current environments. With no crew present and no live audience, the performances were streamed online. Invited commentators joined the broadcast, offering live reflections and interpretations, further exploring new possibilities of performing and viewing in the digital sphere and creating a unique online experience.
The Taiwan segment was curated by dramaturgical advisor Fu-Kuen Tang and director Che-Bin Hsu, who invited 4 artists—Ning Wang, Hsiao-Tzu Tien, Yi-Ling Liu, and Anastasia Melati—to each develop a 14-minute solo work. Staged in a vast, empty theater space, the artists used their bodies, the space, and the camera to investigate the boundaries of presence and performance, unraveling the dependency between self and stage, and collectively charging the space with dormant theatrical energy.
Emerging choreographer Ning Wang based her solo on the principles of Contact Improvisation, confronting the question: how does one forge connection in a space of absence? As the camera replaces the live spectator, perspective becomes both a tool of freedom and a constraint. Within this destabilized dynamic, Ning explores the urgency of reconnection—can the desire for contact be rebuilt through the agitation and disruption inherent in the search itself?

​​​

由臺灣舞蹈家陳武康與影像導演孫瑞鴻發起，《14》是一場透過即時影像串流，跨越時區與地理隔閡的舞蹈馬拉松。來自印尼、義大利、臺灣、泰國以及新加坡的 19 位獨立藝術家，以 14 分鐘獨舞回應與反思當前所處的環境。演出過程沒有工作人員在側，也無現場觀眾。特別邀請的播報員嘉賓，在過程中同步分享自己對作品的觀點與解讀，進一步探索了線上表演和觀看的新可能性，創造獨特的線上經驗。

臺灣演出團隊由構作顧問鄧富權、導演許哲彬邀請四位藝術家：王甯、田孝慈、劉奕伶、Anastasia Melati，各自創作 14 分鐘的獨舞演出。在空無一人近乎真空的巨大劇場，藝術家以身體、空間、鏡頭重新探索在場性的邊界，梳理自我與表演的依存關係，共同蓄積期待再啟的劇場能量。

新生代編舞家王甯以接觸即興（Contact Improvisation）作為行動/動作概念，直面回應空蕩的劇場空間中，究竟如何產生連結？當攝影機取代觀者的在場性，觀點與視角成為表演者的自由與限制，連結的渴求是否可能在探索過程的躁動與破壞之中再次重建？